A practice built on patience, silence, and an unwillingness to explain too much.
Born in the American Midwest and trained at Yale's School of Art, the studio practice has spent over a decade exploring the emotional registers of colour, light, and texture. Working primarily in oil and mixed media, each body of work begins not with a sketch, but a question — about silence, memory, or the weight of the unsaid.
The practice is deliberately slow. Major collections take twelve to eighteen months to complete, often developed during extended residencies — most notably in Reykjavik, Iceland.
Works are held in private collections across 28 countries and have been exhibited at Art Basel Miami Beach, the Whitney Museum, and the Saatchi Gallery, London.
To make work that holds something back — trusting the viewer to bring their own weight.
A body of work remembered not for technical display, but for emotional precision.